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Architecture Of The Ages

by THE HEPBURNS FEAT. ESTELLA ROSA

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1.
It’s Monday morning And I’m waiting for my train I’m drinking coffee And listening to the pouring rain Come rain and pour down upon this old town Don’t know where I’m going But I’ll be blown there anyway The wind is blowing The leaves are piled up all around Like unlucky Steerforth Poor old October drowned Come rain and pour down upon this old town Come rain and pour down! Come bolts of lightning And blow this drab old town away! What will we see there On the other side of grey? Like Norma Desmond In Sunset Boulevard You can’t escape from The silent films in which you starred Your glowing reviews are yesterday’s news Those men aren’t reporters Those men are from Scotland Yard This place is deserted The butler and housekeeper fled But there’s a conversation Going on inside my head You’re at the station; my destination’s Great Expectations I’ll catch you later, Mother Nature This is my favourite time of year (On the other side of grey) Don't you love the sweet smell of decay? (On the other side of grey) So, tell me how does this song end? (It’s waiting patiently) So, tell me how does this song end, on the other side of grey?
2.
Five miles of line in the rain or sunshine Five miles of line, Burry Port to Ferryside Down below some porpoise are putting on a show I don’t know their purpose but I don’t need to know A tattered looking dragon is flapping in the breeze In the cabin hoarse-voiced ladies are singing sea shanties Here’s to anyone who doesn’t know where they belong Home is somewhere between Pembroke Dock and Paddington Down below some porpoise are putting on a show I don’t know their purpose but I don’t need to know
3.
On the telephone On the telephone On the telephone On the telephone No need to feel alone Talking to you on the phone On the telephone…
4.
Going to move to Wales and buy myself a hovel Going to move to Wales and write the great Welsh novel I’m going to write down all the things they say A slice of life, cinema verité That’s what I need, a bit of deprivation Smelling next door’s weed while sat at my workstation I’m going to get used to being ignored And say how great it is on Facebook when I’m terminally bored That’s what I need, a bit of inspiration All the other émigrés and me Yma o Hyd, like an army of occupation But we give our full support to Yes Cymru
5.
Seagulls on a frozen lake A vision of hell by William Blake Or something a lot less menacing Like a Peter Bruegel winter scene Seagulls on a frozen lake How much longer is it going to take Before the ice starts to thaw? Before the end of the war? Motionless, they contemplate their fate At least the geese and starlings can migrate Seagulls on a frozen lake Enjoyment for enjoyment’s sake With a paperback and a cup of tea I could face an eternity Seagulls on a frozen lake How much longer is it going to take? This is becoming a chore Like an extended metaphor Motionless, they contemplate their fate Like Heraclitus said, this place is dead
6.
Mermaid 05:07
I was a lowly deckhand in the reign of Charles the Second Just a teenage boy when I first put to sea A life on the ocean wave, at least that’s what I reckoned But providence had other plans for me Upon the River Medway, we were taken by surprise A Dutch cannonball put pay to my short-lived career I fashioned a makeshift raft and fastened myself to it And put my faith in providence to steer He was a sorry sight to behold White as a sheet, shivering cold And despite what they did to me I couldn’t leave him there to die on the Zuiderzee I was taken prisoner by the people of Edam In the year of your lord fourteen-hundred-and-three They took away my sea moss and they took away my shells Gave me some meat and cheese and a bucket for my tail I was taken to Haarlem and paraded as a trophy They taught me how to spin and taught me how to pray I could put up with the food but not so the religion With each passing day, I was wasting away She was a sorry sight to behold She needed the sea to make her whole And despite what they’d do to me I vowed to return this poor creature to the Zuiderzee My incarceration was brought to an end When one of the locals, I managed to befriend He knew that I was out of, out of my element He left me at the city gates and back to the sea I went She was a sight to behold Covered in moss, impervious to cold Illuminous like plankton, an unearthly light around her shone She saved my life and then she was gone
7.
The barnacles upon their hats And their three-hundred-year-old cats Long hair and fingernails Peeking out of the gunwales The seaweed dried up on their coats Like the songs stuck in their throats Amidst the remnants of old crews I misheard the Silver Jews I thought what Berman said was this: “What is not but could be is” In the stairwell between floors What was not became what was Listening to the sailor ghosts Listening to their mournful toasts Long hair and fingernails Covered with moss and scales Singing about what they miss When they could laugh and drink and kiss I was enjoying the sea views When I misheard the Silver Jews I thought what Berman said was this: “What is not but could be is” In the stairwell between floors What was not became what was
8.
The summer sunshine turns The sycamores see-through And casts a purple shadow upon the road ahead of you Squinting through the yellow leaves At the patches of blue Suddenly you realise you are translucent too You are just a conduit You are not meant to be seen You are indeterminate A creature of the in-between All these grand old houses Some converted into flats Like empty white birdcages watched over by cats Architecture of the ages Edward, Ann, and George All their family secrets, unwilling to disgorge The same goes for the letters And the parcels you deliver Just a blank expression An indifferent stare – yeah yeah Because of the internet It’s busier than ever But in the hope and joy and pain You never share – yeah yeah You are just a conduit You are not meant to be seen Just an instrument of fate A creature of the in-between
9.
The train was late for Liverpool The sun was low, the air was cool It’s a train of thought, a train of doubt It’s here to take us out The sunlight flashing through the trees The countryside between cities The days go by so fast the future Soon becomes the past The train was late but now it’s here And it could take us anywhere No time to wait, don’t hesitate ‘Cos nothing’s going to last My address for the summer’s changing now But I’m not going very far – maybe Somewhere up the coast that you can reach… By car… The past is present everywhere Upon the landing, on the stair December whispers in my ear Come on, let’s disappear The train was late but now it’s here And it could take us anywhere No time to wait, don’t hesitate ‘Cos nothing’s going to last And if my summer address changes now Well, I’m not going very far – maybe Some place up the coast that you can reach… By car…
10.
Northern Europeans, you can’t beat it To melodies and harmonies galore Northern Europeans, you’ve been treated The combo that the world’s been waiting for We won’t be defeated, oh no Northern Europeans are go Gravity defying like Barbarella There’s no way you can fight it, we’ll put you under our spell Our cravats are satin and our vests are velour All you tin-pot tyrants, we’re coming for you as well Northern Europeans, you can’t beat it Join us on the other side of grey We’ve come to see that tyranny’s unseated We’ve come to help you blow the clouds away We won’t be defeated, oh no Northern Europeans are go Gravity defying like Barbarella There’s no way you can fight it, we’ll put you under our spell Singing songs of rebellion in a capella All you tin-pot tyrants, we’re coming for you as well

about

FORMATS: LP [Clear Vinyl] [Limited Edition] / CD Digipak / Digital Album

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► Watch the official video-clip of "The Other Side Of Grey" on bit.ly/3muJsSS
► Watch the official video-clip of "Five Miles Of Line" on bit.ly/3qPiw2k
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The band formed by Matt Jones, Mike Thomas and Les Mun, THE HEPBURNS, has always been considered one of the most exquisite bands to come out of the C86 era. They have worked with labels as prestigious as Cherry Red and Radio Khartoum, and when they have felt more comfortable self-releasing material, they have done that. Yes, they have many things in common with THE BRILLIANT CORNERS, THE HIT PARADE and THE WEATHER PROPHETS, but their elegant arrangements and harmonies, their admiration for Burt Bacharach and soundtracks by Ennio Morricone and John Barry, add a touch of delicious sophistication to their sound – a sound which is completed with the characters that Matt includes in the songs: charming losers stuck in impossible situations, somewhere between humor and tragedy.

In the middle of the pandemic, Matt met Estella Rosa, the singer for the jangle pop duet NAH and founder of the blog Fadewayradiate, through an interview. They were soon talking about doing a song together. In just three months, they had recorded a full album with 10 songs. “Architecture Of The Ages” is the fruit of the recent confinement, and this confinement is inevitably present in the lyrics, but Matt Jones sublimates it, delving into the opposition of extasy and flow, movement and suspension. It is a way of seeing life through contrasts and contradictions, with those characters that are so close and so far away, resigned, accepting their bitter role. Musically, the album is another example of their exquisite compositions, their infinite sweetness (maybe it is their poppiest album, and that is saying a lot), their abilities with the arrangements. All of which fits perfectly with Estella Rosa’s voice.

“The Other Side Of Grey” is proof of how this marvelous collaboration can turn the story of someone’s pity party into something that sounds luminous and festive. It is easy to think of INNER DIALOGUE, THE FREE DESIGN or Karen Carpenter: delicacy and melancholy, astonishing emotion and fragility, elegance and preciousness. That trumpet that starts off “Five Miles Of Line” and its paparapas are pure magic. Like only Bacharach himself would write, and those melodies and harmonies that go straight to the heart. “On The Telephone” is incredibly exquisite white soul. Moderate lyrics, evoking the need to get in touch with someone on the phone during the period of isolation. THE 5TH DIMENSION and THE MILLENNIUM. “Move To Wales” has a strong cinematographic power, which we are already used to, using irony and sarcasm to reflect the pleasure of belonging to the place he comes from, Wales. It’s like a Berlanguian exercise in 3 minutes of ambient pop, that makes us think of some of the best bits of “Butch Cassidy And The Sundance Kid” and “The Knack... And How To Get It” or some Italian soundtrack from the 70s. “Seagulls On A Frozen Lake” has a touch of the melodies of BELLE & SEBASTIAN and HARPERS BIZARRE, but it hides a deep bitterness, watching the ice through the window, the world frozen, immobile. Once again, they are able to build the most wonderful melody while talking about profoundly sad things.

“Mermaid” is a metafiction story based on the medieval tale “The Mermaid of Edam”. It is an incredible story that shows us how pop can use high lyricism to its benefit, and THE HEPBURNS’ music stands out again for its capacity to evoke images, stories and characters. “What Was Not Became What Was” has more exquisite lyrics about an unimaginable story that takes place in the space under the stairs, with a tribute to David Berman and his SILVER JEWS. “Creature Of The In-Between” continues to unleash fantasy and imagination with marvelous bossa harmonies and fascinating arrangements, all to play with a new metaphor about distance and the ways we (ex)communicate. There could not be more attention to detail. Astrud Gilberto would be proud. He would be a fan, no doubt.

“Lockdown To Liverpool” is a collaboration with Ole and Jörn Åleskjær from the Norwegian indie band THE LOCH NESS MOUSE. Warm melodies narrate the dawn of a new day after the lockdown. “Northern Europeans” is dabadabada, it’s bossa, it’s chamber pop, it’s Burt Bacharach, Sérgio Mendes, Augusto Algueró, Hugo Montenegro, Roger Nichols... It is marvelous. It is the perfect brush stroke. The lyrics are fun, conspiratorial, proud, challenging, wild. It is a tribute and a challenge. It is marvelous (have we already said that?).

This is definitely an album that will be a reference in a prodigious discography full of great exercises in pop and lyricism. Originated by a great cause, and full of magical collaborations that give it shape and color, this is new proof that THE HEPBURNS is a band that has defined pop in the last 30 years, and is imperative to understand them in all their intensity.

credits

released November 26, 2021

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THE HEPBURNS Wales, UK

The Hepburns are a Welsh indie band from Llanelli, South-West Wales. They have recorded thirteen albums, two EPs, one single and three BBC sessions. 'Electric Lliedi Land' was released in September 2020, followed by a cover version of Vic Godard's 'I'll Find Out Over Time'. They also contributed to three Corona Underground Projects. A new album feat. Estella Rosa is due for release in Oct. 2021. ... more

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